Composer: Gopalakrishna Bharathi (Tamil: கொபலக்ரிஷ்ன பரடி) was born the son of Shivaraama Bhaaratiyaar in the village Narimanam near NaagapaTTinam in Tamil NaaDu in 1810. He later lived in Mudikondan, Anaitandavapuram and Mayuram, places with which he later became associated. From childhood, he learned Carnatic music from every possible source, even from Ghanam Krishna Aiyyar, Hindustani […]
Tag Archives | carnatic music
Varugalamo ayya (வருகலாமோ அய்ய)
Composer: Gopalakrishna Bharathi (Tamil: கொபலக்ரிஷ்ன பரடி) was born the son of Shivaraama Bhaaratiyaar in the village Narimanam near NaagapaTTinam in Tamil NaaDu in 1810. He later lived in Mudikondan, Anaitandavapuram and Mayuram, places with which he later became associated. From childhood, he learned Carnatic music from every possible source, even from Ghanam Krishna Aiyyar, Hindustani […]
Tiruvadi sharanam (டிருவடி ஷரநம்)
Composer: Gopalakrishna Bharathi (Tamil: கொபலக்ரிஷ்ன பரடி) was born the son of Shivaraama Bhaaratiyaar in the village Narimanam near NaagapaTTinam in Tamil NaaDu in 1810. He later lived in Mudikondan, Anaitandavapuram and Mayuram, places with which he later became associated. From childhood, he learned Carnatic music from every possible source, even from Ghanam Krishna Aiyyar, Hindustani […]
Tandai tai (டன்டை டாஇ)
Composer: Gopalakrishna Bharathi (Tamil: கொபலக்ரிஷ்ன பரடி) was born the son of Shivaraama Bhaaratiyaar in the village Narimanam near NaagapaTTinam in Tamil NaaDu in 1810. He later lived in Mudikondan, Anaitandavapuram and Mayuram, places with which he later became associated. From childhood, he learned Carnatic music from every possible source, even from Ghanam Krishna Aiyyar, Hindustani […]
Shivakaama sundhari (ஷிவகாம ஸுன்தரி)
Composer: Gopalakrishna Bharathi (Tamil: கொபலக்ரிஷ்ன பரடி) was born the son of Shivaraama Bhaaratiyaar in the village Narimanam near NaagapaTTinam in Tamil NaaDu in 1810. He later lived in Mudikondan, Anaitandavapuram and Mayuram, places with which he later became associated. From childhood, he learned Carnatic music from every possible source, even from Ghanam Krishna Aiyyar, Hindustani […]
Arre Vilagiyirum (அற்றே விலகியிரும்)
Composer: Gopalakrishna Bharathi (Tamil: கொபலக்ரிஷ்ன பரடி) was born the son of Shivaraama Bhaaratiyaar in the village Narimanam near NaagapaTTinam in Tamil NaaDu in 1810. He later lived in Mudikondan, Anaitandavapuram and Mayuram, places with which he later became associated. From childhood, he learned Carnatic music from every possible source, even from Ghanam Krishna Aiyyar, Hindustani […]
Sabhapatikku veru (ஸபாபடிக்கு வேரு)
Composer: Gopalakrishna Bharathi (Tamil: கொபலக்ரிஷ்ன பரடி) was born the son of Shivaraama Bhaaratiyaar in the village Narimanam near NaagapaTTinam in Tamil NaaDu in 1810. He later lived in Mudikondan, Anaitandavapuram and Mayuram, places with which he later became associated. From childhood, he learned Carnatic music from every possible source, even from Ghanam Krishna Aiyyar, Hindustani […]
Natanam adinar (னடனம் ஆடினார்)
Composer: Gopalakrishna Bharathi (Tamil: கொபலக்ரிஷ்ன பரடி) was born the son of Shivaraama Bhaaratiyaar in the village Narimanam near NaagapaTTinam in Tamil NaaDu in 1810. He later lived in Mudikondan, Anaitandavapuram and Mayuram, places with which he later became associated. From childhood, he learned Carnatic music from every possible source, even from Ghanam Krishna Aiyyar, Hindustani […]
Maname unakkhitamai (மனமே உனக்க்ஹிடமாஇ )
Composer: Gopalakrishna Bharathi (Tamil: கொபலக்ரிஷ்ன பரடி) was born the son of Shivaraama Bhaaratiyaar in the village Narimanam near NaagapaTTinam in Tamil NaaDu in 1810. He later lived in Mudikondan, Anaitandavapuram and Mayuram, places with which he later became associated. From childhood, he learned Carnatic music from every possible source, even from Ghanam Krishna Aiyyar, Hindustani […]
Karanam Kettu Vadi (காரநம் கேட்டு வாடி)
Composer: Gopalakrishna Bharathi (Tamil: கொபலக்ரிஷ்ன பரடி) was born the son of Shivaraama Bhaaratiyaar in the village Narimanam near NaagapaTTinam in Tamil NaaDu in 1810. He later lived in Mudikondan, Anaitandavapuram and Mayuram, places with which he later became associated. From childhood, he learned Carnatic music from every possible source, even from Ghanam Krishna Aiyyar, Hindustani […]