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Natha Brovave (నాథ బ్రోవవే)

srirama

Composer: Kakarla Tyagabrahmam (Tyāgarāja త్యాగరాజ) , May 4, 1767 – January 6, 1847 was born in Tiruvarur Thanjavur district, , Tamil Nadu , to Kakarla Ramabrahmam and Sitamma in a Telugu Brahmin family of the Mulukanadu subsect. Sri Sonti Venkataramanayya was his guru.More...

Ragam: bhairavi

Talam: aadi

20 naTabhairavi janya
Aa: S R2 G2 M1 P D2 N2 S
Av: S N2 D1 P M1 G2 R2 S

Language: Telugu (తెలుగు)

Tyagaraja (త్యాగరాజ)

Tyagaraja (త్యాగరాజ)

Recitals


Natha Brovave | నాథ బ్రోవవే     
Album: Unknown | Voice: M.Balamurali Krishna

Natha Brovave | నాథ బ్రోవవే     
Album: Unknown | Voice: Unknown


Awaiting for contributions.

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This Kriti was originally composed in Telugu. Other languages are for your convenience



Pallavi

నాథ బ్రోవవే రఘు నాథ బ్రోవవే

Charanams

1. స-లలితుడని మును పలికిన
వాల్మీకుల వాక్కులు కల్లలాయెనా రఘు (నాథ)

2. బయలు గల ముని చయమును జూచి
హృదయము కరగగనభయమొసగిన రఘు (నాథ)

3. వరమగు నుదుటి ముంగురులను తొలగించి
కరుణను నిజ భక్త వరులను జూచు రఘు (నాథ)

4. అగణిత రిపులకు వగలొనరించి స్వ-
నగరమునేల వచ్చు సొగసు జూపు రఘు (నాథ)

5. భరతుని కని మది కరగుచు వాని
ఉరమన జేర్చిన కరమును జూపు రఘు (నాథ)

6. కల కలమను ముఖ కళ కని పుర
భామలు వలచగ తన తల్లుల వలె జూచు రఘు (నాథ)

7. నిరుపమ నిర్గుణ సరసిజ లోచన
8మరవక త్యాగరాజ వరద శ్రీ రఘు (నాథ)

Variations

* General – Charanas 5 and 6 are reversed in some books.
1బయలు – భయమును&న్బ్స్ప్;: బయలు – is appropriate.
2చయమును – చయముల
4వరమగు – వరములు&న్బ్స్ప్;: వరమగు – is appropriate
5జూపు – this word may be translated as ‘one who shows’ or ‘show’. However, in the present context, ‘show’ seems to be appropriate.
6వలచగ – వలచగను
7తల్లుల – సుతుల. ‘తల్లి’ means ‘mother’ and ‘సుత’ means ‘daughter’. As these two words are quite distinct, this is an interpolation. The original Kriti would contain either the word ‘తల్లి’ or ‘సుత’. The other word has been deliberately brought into circulation.
8మరవక – మరువక
9వరద – వర నుత&న్బ్స్ప్;: వర నుత – does not seem to be appropriate.
10శ్రీ రఘునాథ – శ్రీ రామ రఘునాథ
.


Pallavi

நாத2 ப்3ரோவவே ரகு4 நாத2 ப்3ரோவவே

Charanams

1. ஸ-லலிதுட3னி முனு பலிகின
வால்மீகுல வாக்குலு கல்லலாயெனா ரகு4 (நாத2)

2. 1ப3யலு க3ல முனி 2சயமுனு ஜூசி
ஹ்ருத3யமு கரக3க3னப4யமொஸகி3ன3 ரகு4 (நாத2)

3. 4வரமகு3 நுது3டி முங்கு3ருலனு தொலகி3ஞ்சி
கருணனு நிஜ ப4க்த வருலனு ஜூசு ரகு4 (நாத2)

4. அக3ணித ரிபுலகு வக3லொனரிஞ்சி ஸ்வ-
நக3ரமுனேல வச்சு ஸொக3ஸு 5ஜூபு ரகு4 (நாத2)

5. ப4ரதுனி கனி மதி3 கரகு3சு வானி
உரமன ஜேர்சின கரமுனு 5ஜூபு ரகு4 (நாத2)

6. கல கலமனு முக2 கள கனி புர
பா4மலு 6வலசக3 தன 7தல்லுல வலெ ஜூசு ரகு4 (நாத2)

7. நிருபம நிர்கு3ண ஸரஸிஜ லோசன
8மரவக த்யாக3ராஜ 9வரத3 10ஸ்ரீ ரகு4 (நாத2)

Variations

* General – Charanas 5 and 6 are reversed in some books.
1ப3யலு – ப4யமுனு&ந்ப்3ஸ்ப்;: ப3யலு – is appropriate.
2சயமுனு – சயமுல
4வரமகு3 – வரமுலு&ந்ப்3ஸ்ப்;: வரமகு3 – is appropriate
5ஜூபு – this word may be translated as ‘one who shows’ or ‘show’. However, in the present context, ‘show’ seems to be appropriate.
6வலசக3 – வலசக3னு
7தல்லுல – ஸுதுல. ‘தல்லி’ means ‘mother’ and ‘ஸுத’ means ‘daughter’. As these two words are quite distinct, this is an interpolation. The original Kriti would contain either the word ‘தல்லி’ or ‘ஸுத’. The other word has been deliberately brought into circulation.
8மரவக – மருவக
9வரத3 – வர நுத&ந்ப்3ஸ்ப்;: வர நுத – does not seem to be appropriate.
10ஸ்ரீ ரகு4னாத2 – ஸ்ரீ ராம ரகு4னாத2
.


Pallavi

ನಾಥ ಬ್ರೋವವೇ ರಘು ನಾಥ ಬ್ರೋವವೇ

Charanams

1. ಸ-ಲಲಿತುಡನಿ ಮುನು ಪಲಿಕಿನ
ವಾಲ್ಮೀಕುಲ ವಾಕ್ಕುಲು ಕಲ್ಲಲಾಯೆನಾ ರಘು (ನಾಥ)

2. 1ಬಯಲು ಗಲ ಮುನಿ 2ಚಯಮುನು ಜೂಚಿ
ಹೃದಯಮು ಕರಗಗನಭಯಮೊಸಗಿನ3 ರಘು (ನಾಥ)

3. 4ವರಮಗು ನುದುಟಿ ಮುಂಗುರುಲನು ತೊಲಗಿಂಚಿ
ಕರುಣನು ನಿಜ ಭಕ್ತ ವರುಲನು ಜೂಚು ರಘು (ನಾಥ)

4. ಅಗಣಿತ ರಿಪುಲಕು ವಗಲೊನರಿಂಚಿ ಸ್ವ-
ನಗರಮುನೇಲ ವಚ್ಚು ಸೊಗಸು 5ಜೂಪು ರಘು (ನಾಥ)

5. ಭರತುನಿ ಕನಿ ಮದಿ ಕರಗುಚು ವಾನಿ
ಉರಮನ ಜೇರ್ಚಿನ ಕರಮುನು 5ಜೂಪು ರಘು (ನಾಥ)

6. ಕಲ ಕಲಮನು ಮುಖ ಕಳ ಕನಿ ಪುರ
ಭಾಮಲು 6ವಲಚಗ ತನ 7ತಲ್ಲುಲ ವಲೆ ಜೂಚು ರಘು (ನಾಥ)

7. ನಿರುಪಮ ನಿರ್ಗುಣ ಸರಸಿಜ ಲೋಚನ
8ಮರವಕ ತ್ಯಾಗರಾಜ 9ವರದ 10ಶ್ರೀ ರಘು (ನಾಥ)

Variations

*General – Charanas 5 and 6 are reversed in some books.
1ಬಯಲು – ಭಯಮುನು&ನ್ಬ್ಸ್ಪ್;: ಬಯಲು – is appropriate.
2ಚಯಮುನು – ಚಯಮುಲ
4ವರಮಗು – ವರಮುಲು&ನ್ಬ್ಸ್ಪ್;: ವರಮಗು – is appropriate
5ಜೂಪು – this word may be translated as ‘one who shows’ or ‘show’. However, in the present context, ‘show’ seems to be appropriate.
6ವಲಚಗ – ವಲಚಗನು
7ತಲ್ಲುಲ – ಸುತುಲ. ‘ತಲ್ಲಿ’ means ‘mother’ and ‘ಸುತ’ means ‘daughter’. As these two words are quite distinct, this is an interpolation. The original Kriti would contain either the word ‘ತಲ್ಲಿ’ or ‘ಸುತ’. The other word has been deliberately brought into circulation.
8ಮರವಕ – ಮರುವಕ
9ವರದ – ವರ ನುತ&ನ್ಬ್ಸ್ಪ್;: ವರ ನುತ – does not seem to be appropriate.
10ಶ್ರೀ ರಘುನಾಥ – ಶ್ರೀ ರಾಮ ರಘುನಾಥ
.


Pallavi

नाथ ब्रोववे रघु नाथ ब्रोववे

Charanams

1. स-ललितुडनि मुनु पलिकिन
वाल्मीकुल वाक्कुलु कल्ललायॆना रघु (नाथ)

2. 1बयलु गल मुनि 2चयमुनु जूचि
हृदयमु करगगनभयमॊसगिन3 रघु (नाथ)

3. 4वरमगु नुदुटि मुंगुरुलनु तॊलगिञ्चि
करुणनु निज भक्त वरुलनु जूचु रघु (नाथ)

4. अगणित रिपुलकु वगलॊनरिञ्चि स्व-
नगरमुनेल वच्चु सॊगसु 5जूपु रघु (नाथ)

5. भरतुनि कनि मदि करगुचु वानि
उरमन जेर्चिन करमुनु 5जूपु रघु (नाथ)

6. कल कलमनु मुख कळ कनि पुर
भामलु 6वलचग तन 7तल्लुल वलॆ जूचु रघु (नाथ)

7. निरुपम निर्गुण सरसिज लोचन
8मरवक त्यागराज 9वरद 10श्री रघु (नाथ)

Variations

*General – Charanas 5 and 6 are reversed in some books.
1बयलु – भयमुनु&न्ब्स्प्;: बयलु – is appropriate.
2चयमुनु – चयमुल
4वरमगु – वरमुलु&न्ब्स्प्;: वरमगु – is appropriate
5जूपु – this word may be translated as ‘one who shows’ or ‘show’. However, in the present context, ‘show’ seems to be appropriate.
6वलचग – वलचगनु
7तल्लुल – सुतुल. ‘तल्लि’ means ‘mother’ and ‘सुत’ means ‘daughter’. As these two words are quite distinct, this is an interpolation. The original Kriti would contain either the word ‘तल्लि’ or ‘सुत’. The other word has been deliberately brought into circulation.
8मरवक – मरुवक
9वरद – वर नुत&न्ब्स्प्;: वर नुत – does not seem to be appropriate.
10श्री रघुनाथ – श्री राम रघुनाथ
.


Pallavi

nātha brōvavē raghu nātha brōvavē

Charanams

1. sa-lalituḍani munu palikina
vālmīkula vākkulu kallalāyenā raghu (nātha)

2. 1bayalu gala muni 2cayamunu jūci
hṛdayamu karagaganabhayamosagina3 raghu (nātha)

3. 4varamagu nuduṭi muṅgurulanu tolagiñci
karuṇanu nija bhakta varulanu jūcu raghu (nātha)

4. agaṇita ripulaku vagalonariñci sva-
nagaramunēla vaccu sogasu 5jūpu raghu (nātha)

5. bharatuni kani madi karagucu vāni
uramana jērcina karamunu 5jūpu raghu (nātha)

6. kala kalamanu mukha kaḷa kani pura
bhāmalu 6valacaga tana 7tallula vale jūcu raghu (nātha)

7. nirupama nirguṇa sarasija lōcana
8maravaka tyāgarāja 9varada 10śrī raghu (nātha)

Variations

* General – Charanas 5 and 6 are reversed in some books.
1bayalu – bhayamunu : bayalu – is appropriate.
2cayamunu – cayamula
4varamagu – varamulu : varamagu – is appropriate
5jūpu – this word may be translated as ‘one who shows’ or ‘show’. However, in the present context, ‘show’ seems to be appropriate.
6valacaga – valacaganu
7tallula – sutula. ‘talli’ means ‘mother’ and ‘suta’ means ‘daughter’. As these two words are quite distinct, this is an interpolation. The original Kriti would contain either the word ‘talli’ or ‘suta’. The other word has been deliberately brought into circulation.
8maravaka – maruvaka
9varada – vara nuta : vara nuta – does not seem to be appropriate.
10śrī raghunātha – śrī rāma raghunātha
.


Pallavi

O Lord! Please protect me. O Lord Raghunatha! Please protect me.

Charanams

1. Have those words of sage Valmiki and others, who earlier said that You are endowed with gentleness, become false? O Lord Raghunatha! please protect me.

2. O Lord Raghunatha who, feeling pity looking at the ascetics living in the country-side (without protection), bestowed them freedom from fear! please protect me.

3. O Lord Raghunatha who looks at blessed true devotees with compassion, by clearing the curls of hair falling on the beautiful forehead! please protect me.

4. O Lord Raghunatha! Please show me the elegance of coming back to rule own country, after making innumerable enemies grieve; please protect me.

5. O Lord Raghunatha! Please show those hands with which You embraced Bharata, after seeing him and taking pity on him; please protect me.

6. O Lord Raghunatha who, when the women of the town were enamoured beholding the lustre of Your charming face, considers them as Your mothers! Please protect me.

7. O Lotus Eyed Lord who is Peerless and who is beyond all qualities! Please do not forget me, O Bestower of boons to this Tyagaraja! O Lord Raghunatha! Please protect me. (OR) O Lord Raghunatha – bestower of boons to this Tyagaraja! Please protect me without forgetting.
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